Label Noir has chosen to blur all the colors of the movement, leaving only black, anthracite and a few metallic greys on certain gears, on the balance wheel raquetterie and on the small second hand. The various coatings underline the movement's architecture, in all its depths, and highlight the technical organs that run through the watch from one side to the other. The open back reveals the intentions: expressing the quintessence of this mechanical watch, its engine and its coachwork.
Once the first visual jolt is over, colors soften and disclose their true essence. They aren't so extreme, they' re all about tones and shades. The vivid colors are not offensive, they are soft and matte. Bright colors are blended with half tones. Red is not absolute, but includes just the right touch of blue and yellow to mellow it. The yellow does not scorch, it is slightly whitened, it has a patina.
Personalization is not a dogma, not everything has been modified. The bracelet, for example, has been kept in its original condition. Emmanuel Curti’s choice, who always felt like integrating a technical fabric bracelet into a collaboration. The choice is sound: the matte black of the weave provides continuity of tone with the movement, as if the shocking colors were nothing more than fine flashes of light delicately suspended in the black interlacing of the mechanism.